Daniela Pesendorfer

With the help of amirror foil the original photography and the surroundings melt together

to one picture.

 
Photographies of the Kitzmantelfabrik get presented inside the buiding. A surreal combination of inside and outside views can be seen. The viewers get part of the work, and a change by movement and by light can be noticed.

The window as an interface between inside and outside.

The few from outside:
A photography of the empty Gallery of the IG Bildende Kunst in Vienna  is cut in stripes. The second, forth, sixt,... stripe is missing. So the current few inside the Gallery gets mixed with the photography.

The window as an interface between inside and outside.

The few from inside:
A photography of the empty street outside the Gallery is cut in stripes. The second, forth, sixt,... stripe is missing. So the current few on the street gets mixed with the photography.

In the center of interest stands the creation of a surreal immage of a mixed city.

What makes us recognize the city in which we live?
What  elements can be smuggled in, and what elements seem to be unkown?
How does the photography of Vienna chanche  the second city ort he new combined city?